The Tao of Art Therapy: Bodily Movement as a Bridge Between the Conscious and Unconscious

by Linda C. Mahoney

In this paper, the role of movement and the kinaesthetic sense as a form of perception, in combination with the concept of balance and rhythm (Cane, 1983), is explored through a qualitative analysis of the phenomena of vigorous gross motor movement of the arm in the spontaneous creation of images with art media.

2004Linda C. MahoneyJuly 4, 2016body awareness, rhythm, florance cane, perception, retrospective, emotional abuse, physical abuse, sexual abuse, stress, phenomenology, circle

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